Vitra Jean Prouvé Collection

Jean Prouvé received no formal training in architecture and so relied on collaborations with his younger brother, the French architect Henri Prouvé and many modern architects of his time for the execution of his building ideas, such as Eugène Beaudoin and Marcel Lods for La maison du peuple in Clichy-sur-Seine or Pierre Jeanneret for a model of a demountable pavilion. Prouvé is known for constructions made of standardised, prefabricated elements that provided a solution for low-cost housing – in urgent demand after the Second World War. In later years, Prouvé worked in Paris as a consulting engineer on numerous major building projects and made architectural history once again in 1971 when he chaired the jury in the competition for the construction of Centre George Pompidou. His life’s work has earned him a significant place in the history of architecture.

The colours Prouvé developed for his furniture drew on various references – from his Blé Vert, which describes the colour of young green wheat, to Gris Vermeer, which alludes to the grey tones in the work of the painter Johannes Vermeer. Yet according to Prouvé, who believed in the ‘nature of a material’, only parts in danger of corroding should be painted, which is why he left wooden and aluminium elements in an untreated state whenever possible. However, beyond the practical benefit of rust protection, Prouvé was aware that he could use colours to instil his furniture designs with a certain aura.

Vitra is expanding the palette for Jean Prouvé’s furniture to include some of the original Prouvé colours: the existing options of deep black, Japanese red and Blanc Colombe will be joined by Gris Vermeer, Bleu Dynastie, Blé Vert and Bleu Marcoule.